Magical flautist creates sonic tapestry

STEEPED in classical tradition, the flute is not usually associated with innovation. This technical and idiosyncratic instrument seemingly doesn’t lend itself to wild musical explorations.

Now Wouter Kellerman wants to bring the flute back to the mainstream. “I want to show audiences the versatility of the instrument,” he says. His performance at the Beethoven Room does just that. Switching easily between classical, jazz, African and Irish music, Kellerman weaves a rich sonic tapestry.

SAMA-nominated Kellerman started young, playing mainly classical music. He attended master classes with great flautists in Europe. He was rated the top young flautist in SA.

More recently, he has begun an exploration into more contemporary styles. His new album, Colours, was mixed by Husko Huskolds, one of the best-known sound engineers in America.

On the live front, helping him on his musical journey are some excellent musicians: Michael George on guitar and Phresh Makhene on percussion and vocals.

Driven by passion
Makhene’s rich voice is a particular highlight of the gig, as is the interplay of Kellerman’s flute and George’s guitar on Duel. There are also some very different elements to the set, which includes the use of Tibetan singing bowls and an outstanding dance number.

Even though Kellerman is an engineer by trade, his passion for music keeps him coming back to performance. “For the past six years it’s been going better, and I have been able to do this professionally. It’s just my passion and it’s deep in my heart.”