The National Arts Festival pretty much reflects the theatre scene as a whole. There is still not enough black theatre, and there are not enough black audience members. It’s largely a matter of economics but it’s also related to artistic will.
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In style and some substance this solo theatre performance has much in common with Miracle in Rwuanda: a skilled actor tells a story in the character of a woman in a terrifying situation, a woman whose Christian faith assists in her having the strength to survive three months of hell. It also has similar elements to I Have Life – Alison’s Journey, also adapted by the director from a book about a truly horrific experience.
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